Lisa Kokin lives and works in El Sobrante, California with her spouse Lia, three canine studio assistants and Bindi the cat. The daughter of upholsterers, she stitches everything she can get her hands on, including discarded books which she rescues from the local recycling center.
Kokin brings a fiber sensibility and a conceptual approach to a diverse array of materials. Her work is often a commentary on the world around her, often incorporating the age-old Jewish response to adversity, humor. Kokin has been the recipient of multiple awards and commissions, including a Eureka Fellowship, a WESTAF/NEA Regional Fellowship, the Dorothy Saxe Invitational Award for Creativity in Contemporary Arts, the Alameda County Arts Commission (multiple venues), and the Richmond Civic Center Public Art Interior Acquisitions Project.
About the Lucre Series: “I like money in its shredded state because it is stripped of value and power. Worthless, it becomes just so much green and white confetti. It is literally not worth the paper it’s printed on.
As I separate each strip, the patterns, letters, numbers, and gradations of color are more striking than when the bills are intact. Washington’s heavy-lidded eyes, references to higher powers, cryptic serial numbers, seals and signatures, scrolls and flourishes. When sliced-up and decontextualized, money is really quite mysterious and beautiful.
No one values money in this impotent state. It no longer has the ability to poison relationships, threaten democracy, topple governments, create privilege and misery. Stitched together with metallic thread into textile fragments or wrapped around wire and made into crowns, the material is re-contextualized with a new value and purpose.”